Algonquin Deer Clan/Toisnot Tuscarora Carola Jonesis an Indigenous teaching artist whose practice explores place and memory through her grandmother’s Algonquin natural dye and textile garden. She describes her love for creating colour and passion for modern quilting as ‘walking out’ her mother’s dying wishes to share stories of survival through plant dying and stitching. Carola is a writer, visual storyteller, dreamer, working traveler, and Pow Wow dancer. From the coastal plains and outer banks of eastern North Carolina, she is a child of the remnant Tuscarora Confederacy known as the Gatekeepers. Her workshop will incorporate Otahpiaaki indigo dye crops from the summer of 2018.
Blackfoot, Kainai Nation Carol Mason hails from the Blood Tribe and has been designing clothing for approximately 30 plus years. A graduate of the Form & Function Design Academy and part-time student of ACAD, Carol has played an enduring role in Indigenous fashion, creating collections of exquisite Indigenous Fashion Designs of jackets, coats, ribbon shirts, and traditional camp/tea dresses in an everlasting genre of a Cowboy/Indian look. In 1993, she was named as one of Canada’s Top Ten designers, and was presented at the Genie Awards, with a gown designed specifically for Tantoo Cardinal. She has been featured in numerous fashion magazines throughout her career. Today she continues to dabble in her passion on a much lower key. Otahpiaaki is proud to debut Carol’s first collection in 20 years, inspired by her numerous sketchbooks from the past to present in retrospective of her life’s work.
Sho Sho Esquiro
Ross River YK, Kaska Dena Nation Sho Sho Esquirois a fierce couture designer driven by texture. She creates pieces that reflect her love of community, utilizing materials from the NWT including carp leather, seal skin, lynx fur and floral beadwork. In 2013, her collection was featured at Haute Couture Fashion Week in NYC and in 2014 she repped Canada at Jessica Mihn Anh’s Fashion Phenomenon at the Eiffel Tower. Awards include: 1st and 2nd Place (Textiles) from The Autry in Los Angeles; 1st Place (Beadwork) at The Eiteljorg in Minneapolis; 1st Place at the Heard Market (Textiles) and the Conrad House Award in Phoenix; and the 2016 Best of Division (Textiles) juried competition and Best in Show (Couture Fashion Competition) at the SWAIA Indian Market in Santa Fe.
Cree, Sturgeon Nation Tala Tootoosisis an emerging, unapologetic fashion activist, poet, and author who wears and makes ribbon skirts to centre herself and others in their cultures. Her skirts are protection and declaratives of women as life creators, sacred, powerful, and independent. Tala is the founder of the Kokum Scarf Campaign that anchors women to their ancestral power and educates about MMIW statistics.
Dene/Cree, English River Nation Catherine Blackburnwas born in Patuanak Saskatchewan, of Dene and European ancestry and is a member of the English River First Nation. Blackburn is a bead artist, painter and jeweler whose common themes address Canada’s colonial past prompted by personal narratives. Her art merges contemporary concepts with elements of traditional Dene culture creating dialogue between traditional art forms and new interpretations of them. She has received numerous accolades including a Governor General History Award, the highly acclaimed Elizabeth Greenshields Foundation grant, and most recently, the Saskatchewan RBC Emerging Artist Award.
John Isaiah Pepion
Blackfeet Ampskapi Piikani Nation John Isaiah Pepionis an artist who hails from the Blackfeet Nation in northern Montana. The art journey has been ceremonial for John as his understanding of his past, family, and culture grows with his work. He descends from Mountain Chief, a Blackfeet leader who preserved history through numerous winter counts. Through art, John finds personal healing and cultural preservation. He speaks with troubled youth in public schools to promote the benefits of art as therapy. John holds formal degrees in Art Marketing and Museum Studies from United Tribes Technical College and the Institute of American Indian Arts, respectively. However, his education continues with every piece he creates and with every story he shares. John incorporates traditional design elements into colorful contemporary illustrations, leaving his work highly recognizable. Most importantly, John’s art deepens his connections to self and place, providing him with a sense of strength.
Dene/Cree, English River Nation Sage Paulis an urban Dene woman and a member of English River First Nation. Based in Toronto, Sage is an artist, designer and innovative leader for Indigenous fashion, craft and textiles, championing family, sovereignty and resistance for balance. Sage is also a founding collective member and Artistic Director of Indigenous Fashion Week Toronto. Some of Sage’s art and design has shown at the Royal Ontario Museum, Harbourfront Centre, The Centre for Craft, Creativity and Design (North Carolina, USA), and a curated program at Western Canada Fashion Week by Ociciwan Contemporary Art Collective. Sage has presented on Indigenous fashion including at Canada House (London, UK), The Walrus Magazine, Ryerson University, Toronto Women’s Fashion Week and South Africa Fashion Week.
In 2018, one of her fashion pieces “Witigo” (2018) was exhibited in Hot Culture: Indigenous fashion, materials and crafts at Gallery 101 and she presented her most recent collection “Giving Life" at Festival de Mode & Design (Montreal). In 2017, Sage received the Design Exchange RBC Emerging Designer Award in the fashion category, was recognized by Flare Magazine as a top 100 talented & driven Canadian women and was honoured by the Ontario Minister of the Status of Women as a trailblazing woman who is transforming Ontario. Sage sits on the Ryerson School of Fashion Advisory Board and is developing an Indigenous Fashion elective course for George Brown College.
Sammy Jo Bird
Blackfeet Ampskapi Piikani Nation Sammy Jo Bird is an accomplished fine artist, emerging designer, decorated Ladies Barrel Racer and All Around Cowgirl from the Blackfeet Reservation, Amsskaapi Pikani Nation. Sammy Jo’s work has been exhibited at the Western Living and Design Show -- paintings, home decor, and, women’s hats and accessories. Her imagery is rich with inspiration from Blackfoot cosmology, the horses and animal relations that are a part of her life, and from her e-il-si, her late grandmother.
JB the First Lady
Nuxalk & Onondaga Nation JB the First Lady is a member of the Nuxalk & Onondaga Nations. She is a Vancouver-based hip hop and spoken word artist, beat-boxer, cultural dancer and youth educator. With four studio albums under her belt, JB sees her songs as a way of capturing oral history, and isn’t afraid to write lyrics that speak to challenging subjects like residential schools and missing and murdered indigenous women. Her accolades include the Vancouver Mayor Arts award and the Queen Golden Jubilee award.
Blackfoot, Piikani Nation Heather Crowshoeis a boldly humble, Couturier Artist. She has deep and abiding roots in the Northern Piikani Nation and is a direct descendant of Brings-Down-The-Sun and of Chief Joseph. She recently established Heather Crowshoe Couture after more than 25 years of creating pow wow regalia and ceremonial clothing for and with her family. Her passion is to reveal the true magnificent essence of each individual through couture clothing as her grandmothers did. She is a student at École Holt Couture - School of Couture Fashion Sewing and Design and constructs her work primarily by hand. She is inspired by the common reverence for the customization, uniqueness, and symbolism found in Haute Couture and traditional Piikani clothing design. Her work is in Western Horse Review, Avenue Calgary Magazine, Pendleton Woolen Mills Blog, and Cowboys and Indians Magazine.
Blackfoot, Piikani Nation Karli Crowshoeis a mother and creator from the Piikani Nation who started beading when she was 13 years old. Her passion for design and creating was founded in her love for pow wow dancing. Karli began making her own regalia at a young age, guided by basics she had learned from her aunt. Her line, The Chief’s Daughter was born soon after Karli beaded her first hat for her sister, utilizing a family design that had been passed through the women in her family. The Chief’s Daughter is built upon the principles of tradition and storytelling with pieces that are created to last throughout generations. Each piece carries with it a spirit of its own, created with purpose and meaning. Karli credits her grandfather Reg Crowshoe and her family legacy as a guiding force for her creations, marrying Niitsitapii ways of knowing with the modern indigenous lifestyle.
Nakota, White Bear Nation Shana Pasapa is an award-winning athlete, MMA fighter, jiujitsu competitor and a CBC Future 40 2015 recipient. She draws strength and inspiration from her Nakota roots, including hunting moose with her uncle. Originally from the White Bear First Nation, Shana founded Power Our Women (POW) to meet other women and girls and help them rediscover the power they already have inside themselves through self-defence, physical health, and discovering their inner strength. Shana is currently working with other language keepers in Nakota, Cree and Saulteaux to create self defence videos and instruction in the languages of these territories, including deafPOW for the deaf, deafened, and hard of hearing.
Maskwacis, Samson Cree Nation Day Oneaka Christopher “Day One” Carlson is an independent First Nations artist from Maskwacis, Samson First Nation. A-1 since Day One, Chris has established himself as a creator with the ability to display his passion for indigenous culture while blending it with modern hip-hop symbolism. His live painting displays have been a popular attraction at hip hop shows and public events, gaining him respect from not only fans, but touring artists and organizers alike. Day One will be live daily at Otahpiaaki.
Ojibwe/Anishnaabe, Curve Lake Nation Jaymie Campbellis Anishinaabe from Curve Lake First Nation in Ontario. In 2015, Jaymie launched White Otter Design Co, to incorporate her love of traditional artistry with contemporary fashion. Artists run in Jaymie’s family, and it is an important connection to her ancestry. She is an avid outdoorswoman, paddler, traveler and photographer. Her work is also influenced with the time she has spent with the Cree people of the Rocky Mountains and the Dene of the North. She owes great gratitude to the Cree elders who have taught and continue to teach the old ways which inspire much of her work. Jaymie wants to inspire young people to know you can be athletic and artsy, scientific and spiritual, and a warrior and an artist. She uses authentic materials in all of the work, and you will often see the use of hand tanned hides, horse hair and porcupine quills. Much of the material is sourced from local communities and elders, though Jaymie puts a strong focus on learning the traditional skills in order to use them in her work and pass them down to future generations.
Maskwacis, Samson Cree First Nation Justin Louisis the co-founder of SECTION 35, a designer and artist based on the lands of the Musqueam, Squamish, and Tsleil-Waututh territories in Vancouver, British Columbia. Justin grew up on the Samson Cree Nation in Maskwacis, Alberta. The brand Section 35 is inspired by the Canadian Constitution Act (1982) which affirms and recognizes Indigenous and treaty rights in Canada. Section 35 is a clothing company based on the foundation of truth. It is designed to be a medium for change while creating fashion with a purpose by creating constructive dialogue and awareness on issues impacting Indigenous peoples. Justin has collaborated with many artists and other Indigenous entrepreneurs including Blaire Russell, Nahko Bear, Drezus, Monique Aura, Carrielynn Victor, Iskwé, Revolutions Per Minute and Santiago X.
Cree, Whitefish Nation Derek Jagodzinskyis the founder and creative visionary behind LUXX Ready-to-Wear. Derek grew up in High Prairie, originally from Whitefish Lake First Nation. Today, LUXX is a fashion and lifestyle venture based in Edmonton, Alberta that designs sophisticated, sleek, and polished garments, blending inspirations from land and language with modern ready-to-wear for the urban landscape. Derek holds a Masters in Industrial Design from the University of Alberta and a Bachelor of Design in Graphic Design. His designs have been featured in the Native Fashion Now exhibit that toured throughout the United States, with the finale at the Smithsonian’s National Museum of the American Indian. His collaboration with the visual artist Aaron Paquette will be a permanent exhibit at the Royal Alberta Museum.
Tobi Naatoyitapiaak Davis-Eagle Speaker
Blackfoot, Piikani/Kainai Nation Tobi Naatoyitapiaak Davis-Eagle Speaker (Holy Spirit Woman) is a Nitsitapiaaki (Blackfoot Woman) of the Kainai and Piikani First Nations in southern Alberta. She is the Owner/Designer of Maatsowakii -‘Pretty Woman’ Creations, a home based business. She creates traditional Blackfoot designs in a variety of homemade beaded earrings, necklaces, hats, watches, moccasins, purses, ribbon skirts and shirts. Her work depicts and blends age-old designs of mountains, fauna, and colour predominant in Blackfoot Territory into contemporary and modern apparel. Her designs tell stories of sceneries rich in Blackfoot history, with commentary on how the landscape is increasingly being depleted by pollution and resource development.
Jamie Ahksistowaki Medicine Crane (Brave Woman)
Blackfoot, Piikani/Kainai Nation Jamie Ahksistowaki Medicine Crane (Brave Woman),the creative force behind the clothing line Brave Woman Eco-Designs, is an activist, advocate, educator and artist who has made an indelible impression on the way education is delivered to Indigenous communities. She promotes Indigenous rights, women’s rights, human rights and justice and is celebrated for her work and leadership on the Idle No More movement, Sisters in Spirit, and Walking With Our Sisters rallies that raise awareness of violence against Indigenous women and girls in Canada. In 2017, Ms. Medicine Crane was recognized by the University of Lethbridge Alumni Association as Alumna of the Year. Jamie was the first Indigenous woman to compete in Miss Universe Canada (2003), she received the title Miss Blackfoot Canada, and founded Niitsitapi Dreams (Blackfoot, meaning, “the real people”), a holistic modeling school designed to build girls’ self-esteem and leadership skills.
Peepeekisis Cree-Métis, Flying Dust Nation Angel Aubichon is a Cree-Metis Designer and the Co-founder of Indi City. She was born and raised in Northern Saskatchewan and attributes her Matriarchal lineage to the inspiration behind her artistic pursuits. In 2017 Aubichon became the first global Indigenous Designer to incorporate wearable technology into traditional regalia. Her piece, a Woman’s Traditional outfit called “ The Matriarch Speaks” exhibited in Calgary, Ottawa and Shenzhen, China. In the same year she graduated from the Indigenous Women in Community Leadership Program at St.FX University in Antigonish, Nova Scotia. As the Creative Director of SOFIE (Stories of Fashion, Inclusion and Empowerment) a Fashion Technology Nonprofit organization in collaboration with the University of Calgary Department of Computer Science, Aubichon works as an advocate of reconciliation through STEAM education. This years’ collection for Otahpiaaki 2018 is entitled ‘Rebellion,’ and stands as an homage to the roles of Indigenous women throughout history. This innovative infusion joins fashion tech as a juxtaposition styled with contemporary beadwork, up-cycled vintage furs and wool elements. Indi City Rebellion is dedicated to our ancestral Matriarchy as it evokes a blood memory story of power, grace, beauty and resilience.
Maskwacis First Nation Jesse Goucheyis a muralist, fine artist and emerging designer working with oxidized fibre pieces and streetwear. Jesse creates colourful representations of wildlife and landscape from his imagination and vibrant imagery on murals, commissioned pieces, on canvas, in animation, and photography. Jesse has a deep impact on his audience by addressing social issues in his visual art. He is energized by work with youth and students and shares that his creative activities and artistic practice is a part of his healing.
Serene Ksitiiko’hmaki Weasel Traveller
Blackfoot, Piikani Nation Serene Ksitiiko’hmaki Weasel Traveller (Thunder Woman) is a fashion designer from the Piikani Nation of the Blackfoot Confederacy. She received her Fashion Design Diploma from the Lethbridge College in 2008 where she was awarded the Best Haute Couture Design. Then she created a successful designer business sewing for clients throughout Alberta and Montana. She is currently finishing her Bachelor of Fine Arts at the University of Lethbridge so she can expand her artistic style and expression other mediums. Her inspiration for her art comes from her traditional Blackfoot worldview and contemporary Indigenous beauty and culture.
Pic River Nation Riley Kucheranis a Two-Spirit Ojibway PhD student from Biigtigong Nishnaabeg (Pic River First Nation) studying Indigenous fashion at Ryerson and York University. Kucheran believes fashion will be integral to an Indigenous cultural resurgence and include luxury products and brands. He studies the role of clothing in colonization, and Indigenous fashion as a mobilizer of cultural and economic resurgence. He is an Indigenous Advisor to the Dean and Vice Provost of Graduate Studies at Ryerson, a member of the Aboriginal Education Council and Ryerson Senate, and active participant in the Toronto Indigenous community. He is an active member on Ryerson’s Truth & Reconciliation Strategic Working Committee.
Plains Cree and Métis Rae-Anne Harper is one of nine youth leaders selected to participate in Youth Indigenize the Senate 2018. She is the president of the National Association of Friendship Centres Aboriginal Youth Council. Working in Friendship Centres, Rae-Anne has worked for her peers by coordinating youth programs and camps for at-risk urban Indigenous young people, provided workshops on heritage, culture teachings, human rights, Friendship Centre awareness, as well as advocated for Friendship Centre youth at various national conferences and events. Through this experience, she has been inspired to continue working with young people and hopes to have a career within the movement. Rae-Anne hopes to assist in creating more sustainable programming for urban Indigenous youth.
Métis, Matsqui Nation Colette Trudeau gave testimony at Youth Indigenize the Senate 2018 in June. She is a proud citizen of the Métis Nation and was born in Matsqui, British Columbia. As the director of youth and Off-Reserve Aboriginal Action Plan (ORAAP) program director for the Métis Nation British Columbia, she works hard to ensure the sustainability of the Métis Nation through youth governance and the creation of effective community-based programs and services. She currently oversees programs and initiatives related to Active Métis Communities, Métis experiences with violence through the Sashing our Warriors campaign and the Métis-ization of post-secondary institutions. She hopes this work will encourage the federal, provincial and municipal governments to recognize the inherent rights of the Métis people under Section 35 of the Constitution Act, 1982.
Métis Moe Clark is a multidisciplinary Métis artist, looping pedal mistress, spoken word poet, educator, artistic producer, public speaker, and activist. A nomadic songbird with wings woven from circle singing and spoken word, she creates sonic landscapes of layered voice that invite audiences into a trance-like space. Her poetic songs soar through these landscapes, with tonal and lyrical resonance. In music collaborations, Moe’s intuitive and sensual approach to vocal improvisation pulls from soul, gospel, folk and spoken word genres. She’s trained with the likes of Rhiannon (Bobby McFerrin’s Voicestra), Pura Fé (Ulali) and David Smukler (Linklater approach). Moe will perform excerpts from Feast of the Invisible.
: wîhkohkêwin / ᐄᐧᐦᑯᐦᑫᐃᐧᐣ at Otahpiaaki, her only western date.